Joaquin Abella Ojeda

I was born in Barcelona the year 1954 Julius's hot month. I discovered my true calling, the Plastic Arts to very early age, when selling off an one-horse low relief, using a tablespoon scratching the gypsum of the wall of my room at my parents's domicile, when you were 3 years old. At the age of eight years he copied paintings of the classics like Hobby, using paintings and colored pencils that he always requested that they give me as a present. All the neighbors and friends knew about this fondness and asked me for pictures to promote my learning. Study Pictorial and Sculptural Procedures at Artes's School Applied and Artistic Occupations of Barcelona and after Fine Arts in the Faculty of Barcelona. From now on, I accomplished Graphic Diseņo's Studies and Graphic Arts, managing to get in in the world fascinating of publicity. During this period I deepened with the computer accomplishing works with digital tools and without doubting it a moment, I move away for I complete of the paintbrushes, pipes of painting, watercolors, the compressor and the airbrush with their anilines and all the tools that habitually he made to serve for my work.
A series of important commercial signatures, so much nationally like European, they rely on my work, caning observing a list of the aforementioned signatures in the page the quoted company's Web. TECNIC PLOTS link
The exposition the Digital Arte of the Nau Ivamow, could observe a collection of made works with the traditional techniques and more acquaintances to reproduce human body himself. Illumination and the color are fundamental in the whole the last, present and future work. These paintings talk to themselves for himself. They are that in them shows, and they suggest what is evident. I always flee away from the abstraction to recover a little esthetics and model that can give a concrete information of the time in which I am contemporary. They everyone are realized through the computer once real time was attended to by digitizing tablet and with the traditional techniques.
It is very difficult spreading out the digital art from the habitual circuits of art ( Galleries, museums, samples ... etc.) When doors take this decision they close and artists got flunked in the vacuum. Many people think, that the machine is who does the work and is not that way. A paintbrush is incapable of making by oneself, swim at all. It is the hand that drives it, who will paint a door or a Gioconda. The digital art is not the chance's fruit and we will find images generated with computer that we will like it and other ones not. That also happens to the traditional art very often.
Only I attempt to communicate what is difficult to express only with words visually. That's why my work does not need a tome guide of visual interpretation.
I wait and I wish that you be to his taste.

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